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The journey towards new musical horizons, tonalities and modern forms had begun. Musically, the end of the 20th century was marred by departures and farewells, particularly to the late Romantics and post-Wagnerism. Just over a year after releasing their first CD for Mirare (which we proudly awarded a Qobuzissime!), the Geister Duo is back to present us with its little brother: an album dedicated to the modernisms of the 1900s and two of its most illustrious representatives, Debussy and Stravinsky. See more Your browser does not support the audio element. The aural symbiosis of the two pianists seems even more refined than in their last recording and demonstrates that the duo still have a bright future ahead of them. With only their four hands, David Salmon and Manuel Viellard manage to recreate an entire orchestra, transporting the listener to a musical era bursting with opportunity.

The three works are uniquely presented in their chamber music version for piano. A far cry from late Romanticism, the emphasis here is on clear forms, sharp edges and diatonic pronunciation. Though Stravinsky’s Petrushka was received with slightly more criticism, it still ensured the composer’s international success. Ravel made it his duty to create a transcription that would perfectly “orchestrate” the piano four hands. This audience, including a captivated young Ravel, were left with nothing but high praise for Debussy. Maurice Ravel was in the audience during the first performance of Debussy’s Prélude à l'après-midi d'un faune in 1894.

The six titles describe, in a poetic and ethereal fashion, a musical antiquity similar to that of Pelléas and Mélisande. Debussy published his Six Epigraphes antiques in 1915, but their beginnings date back to 1900 when his close friend Pierre Louÿs commissioned him to write music for his Chansons de Bilitis. It was during this time that a trio of talented composers joined forces.

Qobuz pronunciation download#

I’m happy to pay 10 euros per month for that.Purchase and download this album in a wide variety of formats depending on your needs.

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Qobuz pronunciation software#

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I can recommend as hardware only the own ROON Nucleus or Nucleus Plus for EUR 1.550,- or 2.600,- EUR plus the software with 120,- Dollar per year. ROON is certainly currently the most comprehensive and best quality in the field of music servers. Now once again the question whether Roon is worth it for me. In a blind test I probably wouldn’t be able to tell the difference either. On Qobuz it sounds a bit brighter and clearer, but it’s true. I have now tried some rock and classical titles. Is Roon worth it for me if I want the best user interface and the best recommendations?ĭo I really need a Roon Core as a server for this or are there other solutions for me? Where is the best and most extensive offer? What specifically is missing from Qobuz compared to Tidal? My genres are rock, especially prog rock, but also classical. From earlier times I still have CD’s, but most of them are included in the iTunes collection. So far, I’ve bought everything on iTunes. My current music collection consists of about 1,100 albums (82 GB on my hard drive). My impression is that Qobuz doesn’t have all the artists and albums, and Tidal has a better selection overall. I also don’t want to miss out on anything when it comes to music selection. It is important to me to always have the best audio quality. Unfortunately, I had to realize that Tidal only delivers Hifi quality or Naim does not allow this higher. I am a seeker and collector and believe that here Roon is simply the ultimate. Now I’m just considering whether Roon with the new version 1.8 might be worthwhile for me. I have a Mu-so 2 and have only tested with Tidal so far.